À la fin du dix-septième siècle, Nikolaus Bruhns jouait du violon en s’accompagnant lui-même au pédalier de l’orgue. La musique germanique – allemande ou autrichienne – pour violon de l’époque baroque est d’une richesse exceptionnelle. C’est que les violonistes de cette vaste terre étaient multi-instrumentistes, organistes, clavecinistes, maîtres de chapelle, compositeurs : ils ont été d’abord de grands musiciens. De Biber à Bach, ils ont exploré leur instrument d’une façon fondatrice et définitive.
Pour la première fois au disque, voici la pratique de Nikolaus Bruhns ressuscitée. La musique apparaît, dans sa pureté la plus transparente et la plus intense.
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