Couperin is one of the three or four greatest composers to have devoted themselves completely to the harpsichord. He is the greatest poet of all. Returning to Couperin under the protective auspices of the Royaumont Foundation was pure happiness. It is like returning to the beloved places of a blissful childhood – but in the meantime the taste, the discernment has been refined. To play it with the fabulous Hemsch of 1751 seems to me an ever more miraculous experience.
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